KATE FLEETWOOD MOVIE
KATE FLEETWOOD PLUS
KATE FLEETWOOD TV

Goold’s opening scene cleverly re-imagines the chilling execution of the traitorous Thane of Cawdor at the hands of one of the Weird “nurses,” who does the deed by injection.

Fascist-era film footage and flickers of white noise provide the set variation that marks changes in scene.

KATE FLEETWOOD TV

At stage right up high, a small TV comes on and off intermittently. The set consists of a drab brick wall, interrupted by an old-style, cage-enclosed elevator that resembles a modern dungeon or torture chamber.

KATE FLEETWOOD MOVIE

And though the play’s setting pre-dates 1066, Goold situates feudal warlords Duncan and Macbeth in a nightmarish setting against movie footage that envisions the corruption under Stalin or Mussolini. Shakespeare’s hag-like Weird Sisters are transformed into ominous, syringe-wielding hospital nurses. Goold’s filmic approach erases Shakespeare’s overt Celtic coloring and plays up its apocalyptic overtones. The idea behind British director Rupert Goold’s jarring, forties-era staging seems fascinating. These two fine actors realized the dark conspiracy between Shakespeare’s most famous married couple with a poise that’s not always achieved on American stages. As the sinister Lady Macbeth and her husband’s cohort in crime, the much younger Kate Fleetwood appeared in phenomenally fine form. Stewart understands Shakespeare’s poetry and how it should resonate in our ears. The circumstances of Macbeth and Lady Macbeth’s journey, as Shakespeare imagined them, never seem to leave us, no matter how long ago we may have read the play.ĭuring the first week of the Chichester Festival Theatre production’s new run at the Lyceum Theatre, Patrick Stewart lived up to every accolade he’s received since performing the title role at the Brooklyn Academy of Music earlier this year.Īs scholars have noted, the play’s language elegantly blends the sublime and the proverbial. Its tale of an ambitious man and woman driven to power by evil means is timeless. The play’s witchcraft and mysterious prophecy are thrilling.

KATE FLEETWOOD PLUS

'Tesco' and 'Weetabix' ad campaigns plus various characters for video games including 'Mass Effect: Andromeda' and 'Assassins Creed IV: Black Flag.New productions of Macbeth are exciting to behold, not least because the play is probably Shakespeare’s most accessible, to the average playgoer. Voiceovers include various documentaries for the BBC and Channel 4 including 'Rise of the Nazi's'. Kate won Best Principal Performance, Female for her performance as 'Goneril', 'King Lear' at The National Theatre at The Falstaff Awards 2014.

Kate also played Mary Cattermole in 'Harry Potter and The Deathly Hallows'. Kate starred in ITV's 'The Widower' showing off a flawless New Zealand accent playing 'Felicity Drumm' and played Young Sister Hildegarde in Oscar winning film 'Philomena'. She played the lead role in in the much acclaimed production of 'Medea' at The Almeida Theatre. She played Nancy Birch in 'Harlots' and Princess Feodora in ITV's 'Victoria'. Bio : Kate is currently can we seen starring in 'Wheel of Time', Netflix British horror 'Choose or Die' and has recently starred in the TV adaptation of Aldous Huxley's book 'Brave New World' alongside Demi Moore.

Kate fleetwood